Art & Psy

The municipal gesture aimed to neutralize a small heart — likely made with a spray can — classified as a parasitic inscription. The single-layer coating produces a superficially smooth surface, yet its micro-variations in thickness remain detectable under rain.

When one pronounces “thirteen twelve,” something resonates — not a precise event, but a tone, the vibration of a world deciding that certain forms must cease to exist.1312 is not an isolated historical date; it is a conjunction.

Sooner or later, the Aftermade had to be fixed.Not to trap it — it would not survive enclosure — but to give it a first form, a ground, a foundation from which its apparition could finally recognize itself. The Aftermade is not a concept thrown into the air: it was born from years of observation, wandering, failed gestures, walls whitewashed too quickly, stubborn traces that refuse to disappear.

A municipal roller-erasure transforms a tiny blaze, ‘OZE,’ into a dancing diva.

Beneath the municipal blancstock laid in a single thin coat, a wall in Concarneau lets three letters rise back through: C H E. Not an effigy, not the stature of a hero, but a simple word — or rather its skeleton.

During the systematic photographic survey, a child walking past with her parents spontaneously identified the configuration: ‘Oh Mum, it looks like my bear!’ This reaction constitutes the first orally documented on-site interpretation. I had neither seen nor read this figure before the child named it.