À Quimper, La Galerie du Bout du Monde ouvre son fonds permanent à trois œuvres numériques interactives de FAB : EDEN, GRADIVA et MATER. Entre origines perdues, mémoire et naissance, les images apparaissent, se transforment et s’effacent au geste du visiteur. Une expérience où regarder, c’est déjà modifier ce que l’on voit

Sooner or later, the Aftermade had to be fixed.Not to trap it — it would not survive enclosure — but to give it a first form, a ground, a foundation from which its apparition could finally recognize itself. The Aftermade is not a concept thrown into the air: it was born from years of observation, wandering, failed gestures, walls whitewashed too quickly, stubborn traces that refuse to disappear.